This statement of Jacques Ibert's certainly applies to his Flute Concerto, written over the years 1932-1933. The work was dedicated to Marcel Moyse, who was the featured soloist in its premiere performance, under Philippe Gaubert's direction, in Paris on February 25, 1934. Both Moyse and Gaubert, incidentally, were.

Biography French composer Jacques Ibert was born in Paris August 15, 1890. His father was a financier, his mother an accomplished pianist, She began his musical training when he was four years old, and despite his father's objection, continued to encourage his ambition to become a musician. Ibert spent a brief time in the family business before enrolling in the Paris Conservatory at age 20, where he studied with Pessard, Gefalge, and Faure, among others. His studies were interrupted by World War I.

He was drafted into the French Navy. Upon returning from his wartime duties he resumed his conservatory training, and in 1919 won the Prix de Rome for his cantata 'Le Poete et la Fee' His navy service in the Mediterranean gave rise to his arguably most famous composition, the 1924 symphonic suite 'Ports of Call' (Escales). He continued to compose for virtually every genre, including seven operas, six symphonic works and five ballets, three choral works, plus scores of incidental pieces, songs, concertos, and scores for films. He seemed especially partial to woodwinds, composing a number of works for wind ensembles, including a concerto for oboe, concerto for cello and winds, and chamber works for wind ensembles. His Flute Concerto is a standard in the flute repertory. Ibert's music displays a personality of its own, which deliberately does not follow any contemporary school or musical style. It is, however, very 'french' in its humor, whimsy, and lightness.

In 1936 Ibert assumed the position as Director of the French Academy at the Villa Medici in Rome, where the Prix de Rome originates. He left this post to return to France during the World War II years, returning in 1946 to continue serving as its Director until 1960.

During this time he also served for a year, (1955-1956), as the Director of the Paris Opera and the Opera Comique, and in 1956 was elected chairman of the Paris Academy of Fine Arts. Sd Burman Hindi Songs Free Download more. Ibert was married to Rosette Veber ( the daughter of impressionist painter Jean Veber), with whom he had two children. He died in Paris, on February 5, 1962, two years after retiring from his post at the French Academy in Rome.

Alexa Still, Reviews - Concerto Performances Excerpts of press reviews Excerpts of Press Reviews: Concerto Performances Vaughan-Williams: 'Greensleeves' Rodrigo: Concierto Pastoral Still: Christmas Suite for Orchestra and Choir (and flute) Sinfonia of Colorado 'On Friday night, flutist Alexa Still, originally from New Zealand and now Professor of Flute at the CU College of Music, delivered a jovial interpretation of familiar Christmas tunes in 'Christmas Suite for Orchestra and Chorus'. This delightful - although haphazard- arrangement by Still, as accompanied by the Sinfonia orchestra, left room for plenty of enthusiastic sing-along participation. More importantly, however, the entertaining summation of songs and carols perfectly captures Still's luminous style of musicianship in which every light note was tendered with utmost thoughtfulness, clarity and joy. Also on the program was Joaquin Rodrigo's 'Concierto Pastoral' by which Still made her local debut in a solid and professional performance. While most associate the Spanish composer with guitar music - such as that performed by the pre-eminent Romero family -this work was written for flutist James Galway over 20 years ago. True to form, Still conveyed Rodrigo's consistent, glowing style that has become a trademark of the recently-deceased composer: from breathless, rapid-fire runs that proved the mettle behind Still's technical aptitude to dreamy, improvisatory melodies delivered without even the merest hint of affectation.

In fact, Still's skillful artistry is nothing but natural, pure and honest. Also includes Ralph Vaughan-Williams Fantasia on 'Greensleeves', which was as poignantly delivered as the composer surely intended. The compelling and eloquent musical lines of this piece from the opera 'Sir John in Love' were expertly articulated by Still and the Sinfonia musicians.'

Sabine Kortals, Daily Camera Hanson: Serenade for Flute, Harp and Orchestra Arnold: Concerto for Flute and Strings San Diego Chamber Orchestra 'Soloist Still, the New Zealand Symphony's principal flutist, displayed considerable instrumental mastery in Arnold's 'Concerto for Flute and Strings'. It mattered not that there were agitated arpeggios, staccato outbursts and jagged trills. Her technique remained fluid and her tone impressively focussed. The two women successfully teamed in Hanson's 'Serenade' as Barra and the orchestra provided smooth support. Still excelled in the flute's assertiveness while Hays reveled in the harp's rippling delicacy. The performance was warmly received, and not just because of the temperature inside the hall.' Valerie Scher, The San Diego Union-Tribune Gordon Jacob: Flute Concerto South Bend Symphony '.The featured work for the evening was Gordon Jacob's Concerto for flute and orchestra.

Jacob was a 20th century composer whose work was rarely performed. This obscurity is surprising considering the beauty and style of this concerto. It gives a strong platform for a skilled flutist, and featured guest artist Alexa Still is this. One danger of a concerto such as this is 'vanishing flute syndrome'.

The tone of this woodwind instrument can be delicate and light, risking that the sound may wash over it. In Still's performance there was no such danger. She played with a powerful presence that made itself heard clearly.' Lowell Francis, South Bend Tribune Corigliano: Pied Piper New Zealand Symphony '. Charged atmosphere. Alexa Still dressed as the Pied Piper performed with distinction.

The emotion of the Corigliano concerto reached its climax when the flute playing children were led away by the Pipe Piper, the rats having been previously dispensed with. Alexa Still's brilliant playing, her wonderful costume.' Bettina Lamb, Evening Post Mozart: G major Ibert: Flute Concerto Wellington Sinfonia 'Nowadays the Mozart No.1 Flute Concerto is more often relegated to the ranks of muzak than the concert stage.

A performance such as that given by Alexa Still firmly returns the piece to an essential concert item. It was the opening Allegro Maestoso in which Still showed such an understanding of line, a variance of dynamics and articulation, shaping each phrase with attention-demanding originality. With Jack Spiers conducting, this was some of the very finest modern-instrument Mozart playing to be heard anywhere. The Ibert Flute Concerto after the interval had an equally committed performance from this outstanding soloist. The piece makes extraordinary demands of colour on an often monochrome instrument, and requires virtuosity in abundance; Still took it's challenges in her stride.' Allan McFarlane, Evening Post Rodrigo: Concierto Pastoral New Zealand Symphony Orchestra '. First was the flute.

Rodrigo's extraordinarily difficult Concierto Pastoral.The indeterminate tonalities and angularities of the first movement eased into the second's lush, expansive mood tinged with melancholy. At times there was even a sultry Latin American sunshine. A magic ending let to the third movement's spiky, fairground rhythms. A showpiece for the soloist with rather uninteresting orchestral accompaniment, this work certainly demonstrated the consummate capabilities of Alexa Still, who played from memory.' Rosemary Collier, Evening Post Rodrigo: Concierto Pastoral New Zealand Symphony Orchestra '.Alexa Still led the way with Concierto Pastoral by Rodrigo. Its first movement, begun very actively, did not seem to have much depth in the many short phrases. Much more appealing was the Adagio, capped with an extensive and brilliant cadenza.

Still's excellent technique, and the light accompaniment, brought the whole work through clearly.' L C M Saunders, New Zealand Herald Rodrigo: Concierto Pastoral New Zealand Symphony Orchestra '. The low point was Alexa Still lavishing all her considerable artistic and technical expertise on the twittering inanity of Rodrigo's Concierto Pastoral.' William Dart, Listener and TV Times Rodrigo: Concierto Pastoral Dunedin Sinfonia 'Rodrigo was undoubtedly the highlight.

Alexa Still performed the virtuosi flute part with accuracy and energy, and with a keen sense of rhythm, especially in the first movement. She showed her ability to produce a more lyrical tone in disturbing second movement, and the cadenza was glittering.It was an excellent idea to end the concert with Alexa Still playing Gluck's Minuet and Blessed Spirit Dance from Orfeo, with the strings.

She performed this exquisite piece with refinement and beauty.' Anthony Ritchie, Otago Daily Times Mercadante: Concerto in e minor Opus Chamber Orchestra '. Mercadante's comparatively mereticulous flute concerto in e minor, its technical problems overcome by soloist Alexa Still with effortless aplomb.' G E Fairburn, Hamilton Vivaldi: Goldfinch concerto New Zealand Chamber Orchestra 'Good as all these items were, the high spots of the program were the two concertos for which Alexa Still was soloist. In the flute concerto by Vivaldi, she sang and trilled in realistic bird melody, had a gentle arioso in the middle movement, and was brilliantly agile in the finale.'

Jagadam Mp4 Video Songs Download on this page. L C M Saunders, New Zealand Herald Mozart: Concerto in G Major New Zealand Symphony Orchestra 'In between came the Mozart G Major concerto, an eagerly awaited event, with Alexa Still as soloist. Among the many things I admire abut Alexa Still's playing is her passionate approach to the instrument - even her physical attitude to it suggests a love affair with it, and the sound she make is full of heart and feeling.